{"id":44,"date":"2021-11-19T05:09:28","date_gmt":"2021-11-19T05:09:28","guid":{"rendered":"http:\/\/cordery.sandbox.library.columbia.edu\/?page_id=44"},"modified":"2023-03-01T15:08:11","modified_gmt":"2023-03-01T15:08:11","slug":"create-your-website-with-blocks","status":"publish","type":"page","link":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/","title":{"rendered":"Welcome!"},"content":{"rendered":"\n
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Barnard MS 1, pg. 9<\/figcaption><\/figure>\n\n\n\n

This is a project created by Gareth Cordery for Prof. Susan Boynton’s fall 2021 course, Liturgical Manuscripts and the Digital Humanities.<\/p>\n\n\n\n

This website discusses the presence and role of vertical lines in Barnard MS 1, a manuscript in Columbia University’s Rare Book and Manuscript Library. I focus on two feasts, the Common of the Apostles and Corpus Christi, and comparisons with other contemporary Franciscan manuscripts.<\/p>\n\n\n\n

For more on the manuscript and an explanation of key terms, see the about page<\/a>.<\/p>\n\n\n\n

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There are four broad types of vertical lines in Barnard MS 1.<\/p>\n\n\n\n

Two are scribal, showing the endings of chants<\/strong> or added for textual clarity.<\/strong><\/p>\n\n\n\n

And two reflect performance practice, denoting either a change in performer<\/strong> from soloist to choir (and vice versa) or places for breaths or the ends of phrases.<\/strong><\/p>\n\n\n\n

Vertical lines that show the endings of chants and a change in performer are the most straightforward; we’ll start with those. It’s harder to distinguish between lines for textual clarity and those that mark breaths or phrases. <\/p>\n\n\n\n

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In the following pages, we’ll look briefly at each of these types, see how they appear and interact on a page of the manuscript, and finally consider the vertical lines of Barnard MS 1 in context.<\/p>\n\n\n\n

Click the button below to get started:<\/p>\n\n\n\n

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Next: Chant Endings<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

This is a project created by Gareth Cordery for Prof. Susan Boynton’s fall 2021 course, Liturgical Manuscripts and the Digital Humanities. This website discusses the…<\/p>\n

Continue ReadingWelcome!<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/pages\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":25,"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":231,"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/pages\/44\/revisions\/231"}],"wp:attachment":[{"href":"https:\/\/liturgicalmanuscripts.sandbox.library.columbia.edu\/barnardbarlines\/wp-json\/wp\/v2\/media?parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}